HORI, Junji |
|---|
Faculty, Department/Institute
- Faculty of Letters General Department of Humanities Department of Film and Media Studies
Academic status (qualification)
- Professor Apr. 1,2014
Position
- Assistant to the President 2016/10/1～2020/9/30
Undergraduate Degrees・University
- The University of TokyoCulture and Representation 1998 Graduated
Graduate Degrees・University
- Other Doctor's Degree Program Interdisciplinary Cultural Studies (Culture and Representation) 2004 ABD- Coursework completed
Academic Degrees
- Mar. 2000 The University of Tokyo
- D.E.A. (Recherches cinematographiques et audiovisuelle) Sep. 2002 Universite de Paris 3 (Sorbonne Nouvelle)
Homepage Address, E-mail Address
- Homepage Address：http://d.hatena.ne.jp/tricheur/
- E-mail Address：hori@kansai-u.ac.jp
Research fields
| Research fields | keyword |
|---|---|
| Film and Media studies |
Research topics
| research topic | |
|---|---|
| Study theme state | Individual Research |
| research duration | 2005 ～ 2006 |
| Research Programs | Grant-in-Aid for Scientific Research |
| keyword | |
| Research field | Film and Media studies |
| Research Topics Overview |
| research topic | |
|---|---|
| Study theme state | Individual Research |
| research duration | 2009 ～ 2011 |
| Research Programs | Grant-in-Aid for Scientific Research |
| keyword | |
| Research field | |
| Research Topics Overview |
| research topic | |
|---|---|
| Study theme state | |
| research duration | 2010 ～ 2012 |
| Research Programs | Grant-in-Aid for Scientific Research |
| keyword | |
| Research field | |
| Research Topics Overview |
| research topic | |
|---|---|
| Study theme state | |
| research duration | 2012 ～ 2015 |
| Research Programs | Grant-in-Aid for Scientific Research |
| keyword | |
| Research field | |
| Research Topics Overview |
Academic Associations
| 所属学会・団体名 | 役職名 (役職在任期間) |
|---|---|
| Japan Society of Image Arts and Sciences | 20080000() |
| 20060000() | |
| 20060000() |
Research Publications
| No. | Type of publication | Date of publication (Date of presentation) | Title | Type of research result | Jointly authored or single authored | Publisher and journal name | Volume number |
|---|---|---|---|---|---|---|---|
| 1 | Papers1 | 2018/3～2018,03,00,,, | Reading ‘The Ontology of the Photographic Image’ as a Palimpsest: Malraux, Sartre, Bazin before Bazin | In-house publication | Single-Author | ||
| 2 | Papers1 | 2018/1～2018,01,00,,, | Straub-Huillet and André Bazin: Ontological Realism, Adaptation, Super-theater | Monograph | Single-Author | ||
| 3 | Academic presentation7 | 2017/12/9～2017,12,09,,, | Godard's Reading of Hitchcock: On the Hitchcock Sequence in Histoire(s) du cinéma | ||||
| 4 | Academic presentation7 | 2017/10/9～2017,10,09,,, | Images of the Concentration Camps As a Critical Point of the Image Archives | ||||
| 5 | Papers1 | 2017/10～2017,10,00,,, | Cinema of the "Revolution": Reading Hasumi Shiguéhiko's Essays on Godard | Academic Journal | Single-Author | ||
| 6 | Magazine article15 | 2017/2～2017,02,00,,, | Alexandre Astruc's 'Camera-stylo' | Other | Single-Author | ||
| 7 | Academic presentation7 | 2016/12/3～2016,12,03,,, | Rethinking Bazin's "Ontology of Photographic Image" | Single-Author | |||
| 8 | Book review6 | 2016/7/31～2016,07,31,,, | A Review of Anne Wiazemsky's Une annee studieuse | Other | Single-Author | ||
| 9 | Commentary9 | 2016/5～2016,05,00,,, | Robert Bresson's Quatre nuits d'un reveur | Other | Single-Author | ||
| 10 | Translated book4 | 2015/12～2015,12,00,,, | Andre Bazin, Orson Welles (1950) | Monograph | Single-Author | ||
| 11 | Academic presentation7 | 2015/11/7～2015,11,07,,, | Introduction: A Brief Publication History of Bazin's Works | Single-Author | |||
| 12 | Academic presentation7 | 2015/11/7～2015,11,07,,, | Bazin's Orson Welles: Rethinking Bazin's Realism | Single-Author | |||
| 13 | Papers1 | 2015/11～2015,11,00,,, | Welles, Godard, et la puissance du faux | Academic Journal | Single-Author | ||
| 14 | Commentary9 | 2015/10～2015,10,00,,, | The Adventure of the Dziga Vertov group | Other | Single-Author | ||
| 15 | Commentary9 | 2015/7～2015,07,00,,, | Jean-Luc Godard's Adieu au langage | Other | Single-Author | ||
| 16 | Academic presentation7 | 2015/5/30～2015,05,30,,, | Cinema Among the Mediums: Television, Video, Computer | Single-Author | |||
| 17 | Papers1 | 2015/4～2015,04,00,,, | Godard's 'Jewish Question' and the Montage of History | Monograph | Co-authored chapter | ||
| 18 | Book review6 | 2015/3/21～2015,03,21,,, | A Review of Jacques Ranciere's La methode de l'egalite | Other | Single-Author | ||
| 19 | Book review6 | 2015/3/20～2015,03,20,,, | A Review of Eric Rohmer and Claude Chabrol's Hitchcock | Other | Single-Author | ||
| 20 | Papers1 | 2015/1～2015,01,00,,, | Godard's Digital Revolution and the Gaze of Animals: On the Usage of 3D Images in Adieu au langage | Academic Journal | Single-Author | ||
| 21 | Magazine article15 | 2015/1～2015,01,00,,, | Jean-Luc Godard's Filmography in the 21st Century | Academic Journal | Single-Author | ||
| 22 | Translated article or paper16 | 2014/12～2014,12,00,,, | Jacques Derrida, "Le cinema et ses fantomes" | Academic Journal | Single-Author | ||
| 23 | Book2 | 2014/3～2014,03,00,,, | A History of Transnational Cinema | Monograph | Editor | ||
| 24 | Translated article or paper16 | 2014/3～2014,03,00,,, | Raymond Bellour, "Trente-cinq ans apres: le « texte » a nouveau introuvable?" | Academic Journal | Single-Author | ||
| 25 | 99 | 2014/1/23～2014,01,23,,, | La mise en scene de Hitchcock: suspense, escalier, romance | Single-Author | |||
| 26 | Papers1 | 2014～2014,00,00,,, | Godard, Spielberg, the Muselmann, and the Concentration Camps | Monograph | Co-authored chapter | Douglas Morrey, Christina Stojanova, and Nicole Côté (eds), The Legacies of Jean-Luc Godard, Waterloo, Ontario: Wilfrid Laurier University Press | pp.67–79 |
| 27 | Papers1 | 2014～2014,00,00,,, | Chris Marker, ou le jeu entre le mouvement et l'immobilite | Monograph | Co-authored chapter | ||
| 28 | Papers1 | 2014～2014,00,00,,, | Bellour's Untimely Reflections : In the Margin of "Trente-cinq ans apres: Le « texte » a nouveau introuvable?" | Academic Journal | Single-Author | ||
| 29 | Lecture19 | 2013/12/14～2013,12,14,,, | Godard Historian: Reflections on Godard's Film Socialisme | Single-Author | |||
| 30 | Magazine article15 | 2013/10/10～2013,10,10,,, | Chris Marker's Journey to Japan | Monograph | Single-Author | ||
| 31 | Translated book4 | 2013/9/20～2013,09,20,,, | Lev Manovich, The Language of New Media (2001) | Monograph | Single-Author | ||
| 32 | Papers1 | 2013/4～2013,04,00,,, | Truffaut and the Photographic: Cinema, Fetishism, Death | Monograph | Co-authored chapter | ||
| 33 | Commentary9 | 2013/4～2013,04,00,,, | Le Gai savoir: Godard's Illustrated Dictionary | Other | Single-Author | ||
| 34 | Commentary9 | 2013/3～2013,03,00,,, | Jean-Luc Godard's Soigne ta droite | Other | Single-Author | ||
| 35 | Commentary9 | 2013/3～2013,03,00,,, | Jean-Luc Godard and Anne-Marie Mieville's Numero deux, Comment ca va, et Ici et ailleurs | Other | Single-Author | ||
| 36 | 99 | 2013/1/31～2013,01,31,,, | La direction d'acteur dans le cinema francais: Renoir, Bresson, Godard | Single-Author | |||
| 37 | Book review6 | 2012/8/10～2012,08,10,,, | A Review of Jean-Louis Schefer's L'Homme ordinaire du cinema | Other | Single-Author | ||
| 38 | Commentary9 | 2012/5～2012,05,00,,, | Godard, 1968-1972 | Other | Single-Author | ||
| 39 | Papers1 | 2012/4/2～2012,04,02,,, | Ut Musica Cinematographia: Notes on the Japanese Reception of Jean-Luc Godard's Films | In-house publication | Single-Author | ||
| 40 | Papers1 | 2012/4～2012,04,00,,, | La puissance de la photographie: A propos de deux films de Makoto Sato | Monograph | Co-authored chapter | ||
| 41 | Commentary9 | 2012/2～2012,02,00,,, | Jean-Luc Godard's Film Socialisme | Other | Single-Author | ||
| 42 | Papers1 | 2011/12/25～2011,12,25,,, | Godard comme spectateur d'Alain Resnais : de Hiroshima Mon Amour aux Histoire(s) du cinema | Monograph | Single-Author | ||
| 43 | Papers1 | 2011/10/20～2011,10,20,,, | Godard sportif : notes sur des figures sportives chez Godard | Monograph | Co-authored chapter | ||
| 44 | Papers1 | 2011/9/30～2011,09,30,,, | Image, photographie, socialisme : notes sur Film socialisme de Jean-Luc Godard | In-house publication | Single-Author | ||
| 45 | Commentary9 | 2011/7/30～2011,07,30,,, | Twelve Keywords of the French New Wave | Other | Single-Author | ||
| 46 | Magazine article15 | 2010/12～2010,12,00,,, | Socialisme des images: notes sur Film Socialisme de Jean-Luc Godard | Other | Single-Author | ||
| 47 | International academic conference8 | 2010/9/17～2010,09,17,,, | Godard and the Concentration Camps | ||||
| 48 | International academic conference8 | 2010/7/7～2010,07,07,,, | Cinéma, photo, regard: autour de Self and Others de Makoto Sato | ||||
| 49 | Papers1 | 2010/7～2010,07,00,,, | Qu'est-ce que la photographie pour le cinema? (4): notes sur l'arret sur image | Monograph | Single-Author | ||
| 50 | Magazine article15 | 2010/6～2010,06,00,,, | Deadpan: Anmerkungen zu Takeshi Kitanos Ausstellung « Gosse de peintre » in Paris | Academic Journal | Single-Author | ||
| 51 | Translated book4 | 2010/3～2010,03,00,,, | Jacques Ranciere, Le Destin des images | Monograph | Single-Author | ||
| 52 | Research report21 | 2010/1/22～2010,01,22,,, | European Filmmakers and China | Single-Author | |||
| 53 | Papers1 | 2010/1～2010,01,00,,, | La hantise de la repetition desesperee : Tochka de Hiroyuki Matsumura | In-house publication | Single-Author | ||
| 54 | Translated article or paper16 | 2009/11～2009,11,00,,, | Raymond Bellour, "La querelle des dispositifs" | Monograph | Single-Author | ||
| 55 | Papers1 | 2009/10～2009,10,00,,, | Pour l'impurte du cinema: la Nouvelle Vague et le probleme de l'adaptation | Academic Journal | Single-Author | ||
| 56 | Academic presentation7 | 2009/7/5～2009,07,05,,, | Genealogy of Inter-mediality | Single-Author | |||
| 57 | Papers1 | 2009/5～2009,05,00,,, | Qu'est-ce que la photographie pour le cinema? (3): le photo de tournage et le photogramme | Monograph | Single-Author | ||
| 58 | Papers1 | 2008/9～2008,09,00,,, | Qu'est-ce que la photographie pour le cinema? (2): '24 fois la verite par seconde' | Monograph | Single-Author | ||
| 59 | Book review6 | 2008/8/22～2008,08,22,,, | A Review of Anne Friedberg's Window Shopping | Other | Single-Author | ||
| 60 | Papers1 | 2008/6/30～2008,06,30,,, | Spielberg selon JLG: A propos de La Liste de Schindler | Academic Journal | Single-Author | ||
| 61 | Commentary9 | 2008/5～2008,05,00,,, | Robert Bresson's Au hasard Balthazar | Other | Single-Author | ||
| 62 | Papers1 | 2008/3～2008,03,00,,, | Qu'est-ce que la photographie pour le cinema? (1): le 'photographique' et la mort | Monograph | |||
| 63 | Commentary9 | 2008/1～2008,01,00,,, | Robert Bresson's Diable probablement | Other | Single-Author | ||
| 64 | Papers1 | 2007/12/1～2007,12,01,,, | Godard and the Montage of History -- From Cine-Tracts to Notre musique | Academic Journal | Single-Author | ||
| 65 | Translated book4 | 2007/6/8～2007,06,08,,, | Colin MacCabe, Godard : A Portrait of the Artist at Seventy | Monograph | Single-Author | ||
| 66 | Papers1 | 2007/1/15～2007,01,15,,, | Godard au Centre Pompidou -- Notes sur « Voyage(s) en utopie » | In-house publication | Single-Author | ||
| 67 | Magazine article15 | 2006/10～2006,10,00,,, | Godard au musee : notes sur « Voyage(s) en utopie » | Other | Single-Author | ||
| 68 | Lecture19 | 2005/12/4～2005,12,04,,, | Historiography of Redemption: Godard's Notre musique | Single-Author | |||
| 69 | Academic presentation7 | 2005/11/20～2005,11,20,,, | Godard and the Montage of History | Single-Author | |||
| 70 | Papers1 | 2005/10/15～2005,10,15,,, | On 'Database Cinema': Godard in the New Media Age | In-house publication | Single-Author | ||
| 71 | Academic presentation7 | 2005/5/21～2005,05,21,,, | Godard Between Two Ages | ||||
| 72 | Commentary9 | 2005/2～2005,02,00,,, | The World of Samuel Fuller | Other | Single-Author | ||
| 73 | Translated article or paper16 | 2005～2005,00,00,,, | Grahame Weinbren, "In the Ocean of Streams of Story" | Academic Journal | Single-Author | ||
| 74 | Translated article or paper16 | 2005～2005,00,00,,, | Erkki Huhtamo, "Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion" | Academic Journal | Single-Author | ||
| 75 | Lecture19 | 2004/12/16～2004,12,16,,, | Theo Angelopoulos: History, Myth, Politics | Single-Author | |||
| 76 | Commentary9 | 2004/12～2004,12,00,,, | Analyse du film (4): L'Emission, La Reconstitution, L'Eternite et Un Jour | Other | Single-Author | ||
| 77 | Book review6 | 2004/11/26～2004,11,26,,, | A Review of Jean-Luc Nancy's L'Evidence du film, Abbas Kiarostami | Other | Single-Author | ||
| 78 | Commentary9 | 2004/9～2004,09,00,,, | Analyse du film (3): Alexandre le Grand, L'Apiculteur, Paysage dans le brouillard | Other | Single-Author | ||
| 79 | Translated article or paper16 | 2004/8/18～2004,08,18,,, | Lev Manovich, "Reality media: DV, Special Effects, Web cams" | Academic Journal | |||
| 80 | Papers1 | 2004/7/25～2004,07,25,,, | Godard's Two Historiographies | Monograph | Single-Author | Michael Temple, James Williams, Michael Witt (eds), For Ever Godard, Black Dog Publishing, | pp.334-349 |
| 81 | Commentary9 | 2004/6～2004,06,00,,, | Analyse du film (2): Voyage a Cythere, Le Pas suspendu de la cigone, Le Regard d'Ulysse de Theo Angelopoulos | Other | Single-Author | ||
| 82 | Translated article or paper16 | 2004/5/1～2004,05,01,,, | Jacques Ranciere, L'inconscient esthetique | Other | Single-Author | Misuzu | May 2004, no. 516, pp.14-45 |
| 83 | Papers1 | 2004/3/1～2004,03,01,,, | La Geo-politique de l'image dans les Histoire(s) du cinema de Jean-Luc Godard | In-house publication | Single-Author | European Studies, DESK(Deutschland- und Europastudien in Komaba) | Vol. 3, pp.43-61 |
| 84 | Commentary9 | 2004/3～2004,03,00,,, | Analyse du film (1): Jours de 36, Le Voyage des comediens, Les Chasseurs de Theo Angelopoulos | Other | Single-Author | ||
| 85 | Lecture19 | 2003/12/19～2003,12,19,,, | On "Database Cinema" | ||||
| 86 | Translated article or paper16 | 2003/12～2003,12,00,,, | Jeffrey Shaw, "Intorduction" to the Future Cinema exhibition catalogue | Monograph | Single-Author | ||
| 87 | Translated article or paper16 | 2003/12～2003,12,00,,, | Peter Weibel, "The Intelligent Image: Nerocinema or Quantum Cinema?" | Monograph | Single-Author | ||
| 88 | Translated article or paper16 | 2003/12～2003,12,00,,, | Erkki Huhtammo, "Media Art in the Third Dimension: Stereoscopic Imaging and Contemporary Art" | Monograph | Single-Author | ||
| 89 | Papers1 | 2003/6/1～2003,06,01,,, | French film criticism and Hollywood | Academic Journal | Single-Author | ||
| 90 | Magazine article15 | 2003/5/24～2003,05,24,,, | The Possibility and Limit of the "Future of the Cinema": ZKM's "Future Cinema" Exhibition | Other | Single-Author | ||
| 91 | Papers1 | 2003/5/18～2003,05,18,,, | Godard and the ”Grammar” of New Media | Academic Journal | Single-Author | ||
| 92 | Papers1 | 2003/3/25～2003,03,25,,, | Fragment, Witz, Irony: Godard and the German Romanticism (1) | In-house publication | Single-Author | No.1, pp.62-67. | |
| 93 | Academic presentation7 | 2003/3/8～2003,03,08,,, | Godard and the ”Grammar” of New Media | Single-Author | |||
| 94 | Magazine article15 | 2002/10/12～2002,10,12,,, | Towards the Possibility of the DVD Medium | Other | Single-Author | ||
| 95 | Papers1 | 2002/5/1～2002,05,01,,, | History, Cinema, Memory: Godard in the nineties | Academic Journal | Single-Author | ||
| 96 | Papers1 | 2002/5～2002,05,00,,, | Jean-Luc Godard's Filmography, 1987-2001 | Academic Journal | Single-Author | ||
| 97 | Translated article or paper16 | 2002/5～2002,05,00,,, | Youssef Ishaghpour, "J-L G cineaste de la vie moderne: Le poetique dans l'historique" | Academic Journal | Single-Author | ||
| 98 | Papers1 | 2002/4/30～2002,04,30,,, | Du groupe Dziga Vertov aux annees 90 : Histoire, Enfance, Nostalgie | Other | Single-Author | ||
| 99 | Translated article or paper16 | 2002/4～2002,04,00,,, | Serge Daney, "Godard, morale, grammaire" | Other | Single-Author | ||
| 100 | Translated article or paper16 | 2002/3～2002,03,00,,, | Jacques Ranciere, "Une fable sans morale : Godard, le cinema, les histoires" | Academic Journal | |||
| 101 | Edited book3 | 2001/12/17～2001,12,17,,, | Godard, Image, History | Monograph | Co-author | ||
| 102 | Academic presentation7 | 2001/6/24～2001,06,24,,, | For Ever Godard Conference | Single-Author | |||
| 103 | Papers1 | 2000/8/31～2000,08,31,,, | Le regard sur le visage de la mort: Toru Takemitsu comme spectateur de cinema | Academic Journal | Single-Author | ||
| 104 | Translated book4 | 2000/5/13～2000,05,13,,, | Jean-Luc Godard, Godard, Histoire(s) du cinema, Texte | Monograph | Co-author | ||
| 105 | Translated book4 | 2000/1/25～2000,01,25,,, | Rony Braumann et Eyal Sivan, Eloge de la desobeissance | Monograph | Co-author | ||
| 106 | Commentary9 | 1998/12/9～1998,12,09,,, | ATSUTA Yuharu's Pocket Notebooks | Monograph | Single-Author | Ken SAKAMURA and Shiguehiko HASUMI (eds), From Behind the Camera: A New Look at the World of Director Yasujiro Ozu -Based on Private Matelials of the Late Yuharu Atsuta-, Tokyo University Digital Museum | pp.66-77 |
PapersUnrefereedIn-house publicationSingle-AuthorHORI,Junji2022/10～
PapersReading ‘The Ontology of the Photographic Image’ as a Palimpsest: Malraux, Sartre, Bazin before BazinIn refereedIn-house publicationSingle-AuthorHORI,Junji2018/3～
PapersStraub-Huillet and André Bazin: Ontological Realism, Adaptation, Super-theaterUnrefereedMonographSingle-AuthorHORI,Junji2018/1～
Academic presentationGodard's Reading of Hitchcock: On the Hitchcock Sequence in Histoire(s) du cinémaHORI,Junji2017/12/9～
Book reviewSingle-AuthorHORI,Junji2017/11/10～
Academic presentationImages of the Concentration Camps As a Critical Point of the Image ArchivesHORI,Junji2017/10/9～
PapersCinema of the "Revolution": Reading Hasumi Shiguéhiko's Essays on GodardUnrefereedAcademic JournalSingle-AuthorHORI,Junji2017/10～
Magazine articleAlexandre Astruc's 'Camera-stylo'OtherSingle-Author2017/2～
Academic presentationRethinking Bazin's "Ontology of Photographic Image"Single-Author2016/12/3～
Book reviewA Review of Anne Wiazemsky's Une annee studieuseOtherSingle-Author2016/7/31～
Magazine articleOtherSingle-Author2016/6～
CommentaryRobert Bresson's Quatre nuits d'un reveurOtherSingle-Author2016/5～
Book reviewOtherSingle-Author2016/4/15～
Book reviewOtherSingle-Author2016/4/3～
Book reviewAcademic JournalSingle-Author2016/3～
Translated bookAndre Bazin, Orson Welles (1950)MonographSingle-Author2015/12～
Academic presentationIntroduction: A Brief Publication History of Bazin's WorksSingle-Author2015/11/7～
Academic presentationBazin's Orson Welles: Rethinking Bazin's RealismSingle-Author2015/11/7～
PapersWelles, Godard, et la puissance du fauxAcademic JournalSingle-Author2015/11～
CommentaryThe Adventure of the Dziga Vertov groupOtherSingle-Author2015/10～
Book reviewOtherSingle-Author2015/8/21～
CommentaryJean-Luc Godard's Adieu au langageOtherSingle-Author2015/7～
Academic presentationCinema Among the Mediums: Television, Video, ComputerSingle-Author2015/5/30～
Book reviewOtherSingle-Author2015/5～
PapersGodard's 'Jewish Question' and the Montage of HistoryMonographCo-authored chapter2015/4～
Book reviewA Review of Jacques Ranciere's La methode de l'egaliteOtherSingle-Author2015/3/21～
Book reviewA Review of Eric Rohmer and Claude Chabrol's HitchcockOtherSingle-Author2015/3/20～
PapersGodard's Digital Revolution and the Gaze of Animals: On the Usage of 3D Images in Adieu au langageAcademic JournalSingle-Author2015/1～
CommentaryAcademic JournalSingle-Author2015/1～
Magazine articleJean-Luc Godard's Filmography in the 21st CenturyAcademic JournalSingle-Author2015/1～
Translated article or paperAcademic JournalCo-author2015/1～
Translated article or paperAcademic JournalSingle-Author2015/1～
Translated article or paperJacques Derrida, "Le cinema et ses fantomes"Academic JournalSingle-Author2014/12～
BookA History of Transnational CinemaMonographEditor2014/3～Includes "Far From 'Orient': Chris Marker's China, North Korea, and Japan" (p.211-260)
Translated article or paperRaymond Bellour, "Trente-cinq ans apres: le « texte » a nouveau introuvable?"Academic JournalSingle-Author2014/3～
La mise en scene de Hitchcock: suspense, escalier, romanceSingle-Author2014/1/23～
PapersGodard, Spielberg, the Muselmann, and the Concentration CampsMonographCo-authored chapterJunji HoriDouglas Morrey, Christina Stojanova, and Nicole Côté (eds), The Legacies of Jean-Luc Godard, Waterloo, Ontario: Wilfrid Laurier University Press pp.67–792014～
PapersChris Marker, ou le jeu entre le mouvement et l'immobiliteMonographCo-authored chapter2014～
PapersBellour's Untimely Reflections : In the Margin of "Trente-cinq ans apres: Le « texte » a nouveau introuvable?"Academic JournalSingle-Author2014～
Academic JournalCo-author2014～
LectureGodard Historian: Reflections on Godard's Film SocialismeSingle-Author2013/12/14～
Magazine articleChris Marker's Journey to JapanMonographSingle-Author2013/10/10～
Magazine articleOtherSingle-Author2013/10～
Translated bookLev Manovich, The Language of New Media (2001)MonographSingle-AuthorJunji Hori2013/9/20～
PapersTruffaut and the Photographic: Cinema, Fetishism, DeathIn refereedMonographCo-authored chapterJunji Hori2013/4～
CommentaryLe Gai savoir: Godard's Illustrated DictionaryOtherSingle-Author2013/4～
Book reviewOtherSingle-Author2013/3/22～
CommentaryJean-Luc Godard's Soigne ta droiteUnrefereedOtherSingle-AuthorJunji Hori2013/3～
CommentaryJean-Luc Godard and Anne-Marie Mieville's Numero deux, Comment ca va, et Ici et ailleursUnrefereedOtherSingle-AuthorJunji Hori2013/3～
La direction d'acteur dans le cinema francais: Renoir, Bresson, GodardSingle-Author2013/1/31～
Book reviewA Review of Jean-Louis Schefer's L'Homme ordinaire du cinemaOtherSingle-Author2012/8/10～
CommentaryGodard, 1968-1972OtherSingle-Author2012/5～
PapersUt Musica Cinematographia: Notes on the Japanese Reception of Jean-Luc Godard's FilmsIn-house publicationSingle-AuthorHORI Junji2012/4/2～
PapersLa puissance de la photographie: A propos de deux films de Makoto SatoIn refereedMonographCo-authored chapterJunji Hori2012/4～
CommentaryJean-Luc Godard's Film SocialismeOtherSingle-AuthorHORI Junji2012/2～
Research reportHORI Junji2012/1/28～
PapersGodard comme spectateur d'Alain Resnais : de Hiroshima Mon Amour aux Histoire(s) du cinemaUnrefereedMonographSingle-AuthorHORI Junji2011/12/25～
PapersGodard sportif : notes sur des figures sportives chez GodardUnrefereedMonographCo-authored chapterJunji HORI2011/10/20～
PapersImage, photographie, socialisme : notes sur Film socialisme de Jean-Luc GodardUnrefereedIn-house publicationSingle-AuthorHORI,Junji2011/9/30～
CommentaryTwelve Keywords of the French New WaveUnrefereedOtherSingle-AuthorHORI,Junji2011/7/30～
Magazine articleSocialisme des images: notes sur Film Socialisme de Jean-Luc GodardOtherSingle-Author2010/12～
International academic conferenceGodard and the Concentration CampsJunji HORI2010/9/17～Sonimage: The Legacies of Jean-Luc GodardUniversity of Regina, Saskatchewan, Canada
International academic conferenceCinéma, photo, regard: autour de Self and Others de Makoto SatoJunji HORI2010/7/7～Université d'été de l'Université Sorbonne Nouvelle-Paris 3Institut National de l'Histoire de l'Art (INHA), Paris
PapersQu'est-ce que la photographie pour le cinema? (4): notes sur l'arret sur imageUnrefereedMonographSingle-AuthorJunji HORI2010/7～
Magazine articleDeadpan: Anmerkungen zu Takeshi Kitanos Ausstellung « Gosse de peintre » in ParisAcademic JournalSingle-AuthorJunji HORI2010/6～
Magazine articleOtherSingle-Author2010/5～
Translated bookJacques Ranciere, Le Destin des imagesMonographSingle-AuthorJacques Rancière;Junji HORI2010/3～
Book reviewAcademic JournalSingle-AuthorJunji HORI2010/3～
Research reportEuropean Filmmakers and ChinaSingle-Author2010/1/22～
PapersLa hantise de la repetition desesperee : Tochka de Hiroyuki MatsumuraUnrefereedIn-house publicationSingle-AuthorJunji HORI2010/1～
Translated article or paperRaymond Bellour, "La querelle des dispositifs"MonographSingle-Author2009/11～
PapersPour l'impurte du cinema: la Nouvelle Vague et le probleme de l'adaptationUnrefereedAcademic JournalSingle-AuthorJunji HORI2009/10～
Academic presentationGenealogy of Inter-medialitySingle-Author2009/7/5～
PapersQu'est-ce que la photographie pour le cinema? (3): le photo de tournage et le photogrammeUnrefereedMonographSingle-AuthorJunji HORI2009/5～
Book reviewOtherSingle-Author2009/1/30～
Translated article or paperAcademic JournalSingle-Author2009～
PapersQu'est-ce que la photographie pour le cinema? (2): '24 fois la verite par seconde'UnrefereedMonographSingle-AuthorJunji HORI2008/9～
Book reviewA Review of Anne Friedberg's Window ShoppingOtherSingle-Author2008/8/22～
PapersSpielberg selon JLG: A propos de La Liste de SchindlerUnrefereedAcademic JournalSingle-AuthorJunji HORI2008/6/30～
CommentaryRobert Bresson's Au hasard BalthazarOtherSingle-AuthorHORI Junji2008/5～
PapersQu'est-ce que la photographie pour le cinema? (1): le 'photographique' et la mortUnrefereedMonographJunji HORI2008/3～
CommentaryRobert Bresson's Diable probablementOtherSingle-Author2008/1～
Book reviewOtherSingle-Author2007/12/21～
PapersGodard and the Montage of History -- From Cine-Tracts to Notre musiqueIn refereedAcademic JournalSingle-AuthorHORI Junji2007/12/1～
Translated bookColin MacCabe, Godard : A Portrait of the Artist at SeventyMonographSingle-AuthorColin MacCabe;Junji HORI2007/6/8～
Book reviewOtherSingle-Author2007/6/8～
Book reviewAcademic JournalSingle-AuthorJunji HORI2007/5～
PapersGodard au Centre Pompidou -- Notes sur « Voyage(s) en utopie »UnrefereedIn-house publicationSingle-AuthorHORI Junji2007/1/15～Grant-in-Aid for Encouragement of Young Scientists
Magazine articleGodard au musee : notes sur « Voyage(s) en utopie »OtherSingle-Author2006/10～
Book reviewOtherSingle-Author2006/9/8～
Book reviewOtherSingle-Author2006/5/19～
LectureHistoriography of Redemption: Godard's Notre musiqueSingle-Author2005/12/4～
Academic presentationGodard and the Montage of HistorySingle-Author2005/11/20～
Book reviewOtherSingle-Author2005/11/18～
PapersOn 'Database Cinema': Godard in the New Media AgeIn-house publicationSingle-AuthorHORI Junji2005/10/15～
Academic presentationGodard Between Two AgesHORI,Junji2005/5/21～
CommentaryThe World of Samuel FullerOtherSingle-Author2005/2～
Translated article or paperGrahame Weinbren, "In the Ocean of Streams of Story"Academic JournalSingle-Author2005～
Translated article or paperErkki Huhtamo, "Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion"Academic JournalSingle-Author2005～
LectureTheo Angelopoulos: History, Myth, PoliticsSingle-AuthorHORI Junji2004/12/16～
CommentaryAnalyse du film (4): L'Emission, La Reconstitution, L'Eternite et Un JourOtherSingle-Author2004/12～
Book reviewA Review of Jean-Luc Nancy's L'Evidence du film, Abbas KiarostamiOtherSingle-Author2004/11/26～
CommentaryAnalyse du film (3): Alexandre le Grand, L'Apiculteur, Paysage dans le brouillardOtherSingle-Author2004/9～
Translated article or paperLev Manovich, "Reality media: DV, Special Effects, Web cams"Academic JournalLev Manovich;HORI Junji2004/8/18～
PapersGodard's Two HistoriographiesMonographSingle-AuthorHORI JunjiMichael Temple, James Williams, Michael Witt (eds), For Ever Godard, Black Dog Publishing,pp.334-3492004/7/25～
CommentaryAnalyse du film (2): Voyage a Cythere, Le Pas suspendu de la cigone, Le Regard d'Ulysse de Theo AngelopoulosOtherSingle-Author2004/6～
Translated article or paperJacques Ranciere, L'inconscient esthetiqueOtherSingle-AuthorJacques Rancière;HORI JunjiMisuzuMay 2004, no. 516, pp.14-452004/5/1～Japanese translation of Jacques Ranciere, L'inconscient esthetique, Galilee, 2001.
PapersLa Geo-politique de l'image dans les Histoire(s) du cinema de Jean-Luc GodardIn refereedIn-house publicationSingle-AuthorHORI JunjiEuropean Studies, DESK(Deutschland- und Europastudien in Komaba)Vol. 3, pp.43-612004/3/1～Grant-in-Aid for JSPS Fellows 20030401-20040331
CommentaryAnalyse du film (1): Jours de 36, Le Voyage des comediens, Les Chasseurs de Theo AngelopoulosOtherSingle-Author2004/3～
LectureOn "Database Cinema"HORI Junji2003/12/19～InterCommunication Center (ICC, Tokyo)Panel discussion entitled "Aesthetics of Media: through Action and Theory" with Lev Manovich and Toshiya Ueno at the InterCommunication Center (ICC, Tokyo).
Translated article or paperJeffrey Shaw, "Intorduction" to the Future Cinema exhibition catalogueMonographSingle-Author2003/12～
Translated article or paperPeter Weibel, "The Intelligent Image: Nerocinema or Quantum Cinema?"MonographSingle-Author2003/12～
Translated article or paperErkki Huhtammo, "Media Art in the Third Dimension: Stereoscopic Imaging and Contemporary Art"MonographSingle-Author2003/12～
PapersFrench film criticism and HollywoodAcademic JournalSingle-AuthorHORI Junji2003/6/1～
Magazine articleThe Possibility and Limit of the "Future of the Cinema": ZKM's "Future Cinema" ExhibitionOtherSingle-Author2003/5/24～
PapersGodard and the ”Grammar” of New MediaAcademic JournalSingle-AuthorHORI Junji2003/5/18～
PapersFragment, Witz, Irony: Godard and the German Romanticism (1)In refereedIn-house publicationSingle-AuthorHORI JunjiNo.1, pp.62-67.2003/3/25～Cet article essaie d'eclairer l'interpretation particuliere de l'histoire du cinema que pratique Godard dans ses Histoire(s) du cinema, avec l'aide de trois concepts majeurs dus a Friedrich Schlegel: le fragment, le Witz et l'ironie romantique. (Resume en francais)
Academic presentationGodard and the ”Grammar” of New MediaSingle-Author2003/3/8～
Magazine articleOtherSingle-Author2002/12/21～
Magazine articleTowards the Possibility of the DVD MediumOtherSingle-Author2002/10/12～
PapersHistory, Cinema, Memory: Godard in the ninetiesAcademic JournalSingle-AuthorHORI Junji2002/5/1～
PapersJean-Luc Godard's Filmography, 1987-2001Academic JournalSingle-Author2002/5～
Translated article or paperYoussef Ishaghpour, "J-L G cineaste de la vie moderne: Le poetique dans l'historique"Academic JournalSingle-Author2002/5～
PapersDu groupe Dziga Vertov aux annees 90 : Histoire, Enfance, NostalgieOtherSingle-AuthorHORI,Junji2002/4/30～
Translated article or paperSerge Daney, "Godard, morale, grammaire"OtherSingle-Author2002/4～
Translated article or paperJacques Ranciere, "Une fable sans morale : Godard, le cinema, les histoires"Academic JournalJacques Rancière;HORI Junji2002/3～
Edited bookGodard, Image, HistoryMonographCo-authorInuhiko YOMOTA;Junji HORI2001/12/17～
Magazine articleOtherSingle-Author2001/8/10～
Academic presentationFor Ever Godard ConferenceSingle-AuthorJunji Hori2001/6/24～Tate Modern, Londonchair of History and Memory Panel
Magazine articleOtherSingle-Author2001/4/20～
Book reviewOtherSingle-Author2001/2/23～
Magazine articleOtherSingle-Author2000/12/15～
Magazine articleOtherSingle-Author2000/10/13～
PapersLe regard sur le visage de la mort: Toru Takemitsu comme spectateur de cinemaAcademic JournalSingle-AuthorHORI,Junji2000/8/31～
Magazine articleOtherSingle-Author2000/8/11～
Magazine articleOtherSingle-Author2000/6/9～
Translated bookJean-Luc Godard, Godard, Histoire(s) du cinema, TexteMonographCo-authorJean-Luc Godard;HORI Junji;HASHIMOTO Kazumichi2000/5/13～
Magazine articleOtherSingle-Author2000/4/14～
Translated article or paperAcademic JournalCo-author2000/3～
Magazine articleOtherSingle-Author2000/2/18～
Translated bookRony Braumann et Eyal Sivan, Eloge de la desobeissanceMonographCo-authorRony Braumann;Eyal Sivan;TAKAHASHI Tetsuya;HORI Junji2000/1/25～
CommentaryATSUTA Yuharu's Pocket NotebooksMonographSingle-AuthorHORI JunjiKen SAKAMURA and Shiguehiko HASUMI (eds), From Behind the Camera: A New Look at the World of Director Yasujiro Ozu -Based on Private Matelials of the Late Yuharu Atsuta-, Tokyo University Digital Museumpp.66-771998/12/9～
Research Activities Overseas
- Study abroad2001France Universite de Paris 3, Recherches cinematographiques et audiovisuelles, troisieme cycle
Courses Taught
- Introductory Lecture : Gateway to Learning
- History of Film and Media Culture A
- History of Film and Media Culture B
- Studies in Film and Media Culture III
- Studies in Film and Media Culture IV
- Intermediate Seminar of Film and Media Studies IV
- Passport to Knowledge A (Film and Media Studies)
- Graduation Seminar of Film and Media Studies VI
- Intermediate Seminar of Film and Media Studies III
- Graduation Seminar of Film and Media Studies V
- Elementary Seminar of Film and Media Studies II
- Film and Media Studies
- Film and Media Studies
- Film and Media Studies IB
- Film and Media Studies
- Personal Information
- Research Activities
- Research Activities
- Community Service
- Courses Taught