MIZOI,Yuichi - Faculty of Letters General Department of Humanities Department of Cultural Symbiotics

MIZOI, Yuichi

Faculty, Department/Institute

Faculty of Letters General Department of Humanities Department of Cultural Symbiotics

Academic status (qualification)

Professor Apr. 1,2018

Undergraduate Degrees・University

Kansai University Faculty of Literature2003 Graduated

Graduate Degrees・University

Kansai University Doctor's Degree Program 2008 Completed

Academic Degrees

Doctor of Philosophy in Literature Mar. 2008 Kansai University

Research fields	keyword
Cultural anthropology/Folklore
Cultural History, Kulturgeschichte (ドイツ文化史)
Study of Human Animal Relations (人と動物の関係学)

Research Publications

No.	Type of publication	Date of publication (Date of presentation)	Title	Type of research result	Jointly authored or single authored	Publisher and journal name	Volume number
1	Papers1	2023/3～2023,03,00,,,	Rise of Lost Worlds. A Cultural History of the Dinosaur Park, Part 2: Carl Hagenbeck’s Extinct Monsters.	In-house publication	Single-Author	Essays and Studies by Members of the Faculty of Letters, Kansai University.	72.4. 51-86
2	Lecture19	2022/10/15～2022,10,15,,,	A microcosm in the tank: the public aquarium's history, development and cultural background.
3	Magazine article15	2022/10～2022,10,00,,,	Dinosaur Parks in the Age of Imperialism.	Other	Single-Author	Genron	13.
4	Magazine article15	2022/6～2022,06,00,,,	The ‘flesh eating’ at zoos and aquariums: a historical consideration about the relationship between ‘watching’ and ‘eating.’	Other	Single-Author	Gendaisisou	2022.6.
5	Papers1	2022/3～2022,03,00,,,	Rise of Lost Worlds. A Cultural History of the Dinosaur Park, Part 1: The Geological Exhibition at the Crystal Palace Park, Sydenham. (This essay (the first section of ‘Rise of Lost Worlds’), comprising the main chapters including conclusion, was translated and revised text from my Japanese article ‘The ‘Lost World’ at the Crystal Palace, Sydenham.’ Studies in Victorian Culture. 19 (2021): 179–208), with superadded pictures)	In-house publication	Single-Author	Essays and Studies by Members of the Faculty of Letters, Kansai University. 71.4.	73-107
6	Papers1	2021/11～2021,11,00,,,	'The Lost Warld' at the Crystal Palace, Sydenham	Academic Journal	Single-Author	Studies in Victorian Culture	179-208
7	Magazine article15	2021/7～2021,07,00,,,	Zoos, Aquariums and War: Their complicated relations	Other	Single-Author	Museum Studies	8(56).23-26.
8	Book2	2021～2021,00,00,,,	Zoo: History and Adventure.	Monograph	Single-Author	Chuokoron-Shinsha
9	Lecture19	2020/11/28～2020,11,28,,,	Zoo and Aquarium Culture in modern Europe		Single-Author
10	Magazine article15	2020/11～2020,11,00,,,	Zoos during the pandemic	Other	Single-Author	Asteion. Vol.93
11	Book2	2018/6/15～2018,06,15,,,	The Exhibition of Oceans: The Cultural History of Public Aquariums in Europe, the United States and Japan. (awarded "The Suntory Prize for Social Sciences and Humanities", 2018)	Monograph	Single-Author	Bensei Publishing	359 pages
12	Book2	2017/3/31～2017,03,31,,,	A Cultural History of Watching Fish ‘From the Side and from Below’: Roman Fish Ponds, Natural History Books, Cabinets of Curiosity, Goldfish Bowls and Aquariums. (In: Hasebe, Tsuyoshi. ed. "Transformation" of the Japanese Language and Culture）This article is the translated and revised version of ‘"Sakana wo yoko kara, shita kara miru koto" no bunkashi: Roma shiki yogyoike kara hakubutsushi, Wunderkammer, kingyobachi, suizokukan made (by Yuichi Mizoi)’ Kansai University Studies in Literature. 65.3/4 (2016) 77–113.	Monograph	Co-authored chapter	Institute of Oriental and Occidental Studies	pp. 212-256
13	Book2	2017～2017,00,00,,,	Fangen, Züchten und Faszinieren. Zur Geschichte der Beziehungen zwischen westlichen Menschen und Wassertieren in Altertum und Mittelalter.	Monograph	Co-authored chapter	Bensei Shuppan	337－360
14	Book2	2016/12/31～2016,12,31,,,	Das Reich der Erinnerungen: Eine Kulturgeschichte des kollektiven Gedächtnisses in und von Nazi-Deutschland	Monograph	Co-editor	Bensei Shuppan
15	Papers1	2016/12/16～2016,12,16,,,	The Exhibition of Oceans: A History of the ‘Immersive Exhibition’ at Public Aquariums from the 19th to the 21st Century	In-house publication	Single-Author	Essays and Studies by Members of the Faculty of Letters, Kansai University, 66.3	79-122
16	Book2	2015/5/30～2015,05,30,,,	Kulturgeschichtliche Gedanken zum Verwandlungsmotiv in Märchen und Sagen	Monograph	Co-authored chapter	Bensei	pp. 181-208
17	Papers1	2014/10/11～2014,10,11,,,	Vater- und Mutterbild in der Sage "Der Rattenfaenger von Hameln"	Academic Journal	Single-Author	Studienreihe der Japanischen Gesellschaft fuer Germanistik	pp.3-14
18	Academic presentation7	2014/10/11～2014,10,11,,,	The Reviving "Germanic Extinct Animals" in the Third Reich (Study of the Collective Memory in the Third Reich)
19	Book2	2014/7/31～2014,07,31,,,	Die deutsche Sonderlingstrasse	Monograph	Co-author	Kansai-University Publishing
20	Book2	2014/4～2014,04,,,,	The Cultural History of Zoo	Monograph	Single-Author
21	Academic presentation7	2013/9/29～2013,09,29,,,	In the Case of the Legend "Pied Piper of Hameln" In: Symposium "The Image of Father and Mother in Grimms Fairy Tale and German Folklore"
22	Edited book3	2013/7/20～2013,07,20,,,	Brothers Grimm and Folktales of the World	Monograph	Editor	Asao publishing
23	Book2	2013/4～2013,04,,,,	"The Travel with Pied Piper of Hamelin" et al. (5., 6., 9. chapter) (In: Takashi Hamamoto, Mamoru Takahashi ed.: 62 Topics about Modern German Culture.)	Monograph	Co-authored chapter	Akashi Shoten	pp.35-39, 40-44, 59-63.
24	joint translation99	2013/3～2013,03,,,,	Das Ise Monogatari von 1608 und sein Einfluß auf die Buchillustration des 17. Jahrhunderts in Japan. (In: Tokuro Yamamoto ed.: Fritz Rumpf and the Ise Monogatari.)	Monograph		Kansai Daigaku Shuppanbu	pp.3-73
25	Book2	2013/3～2013,03,,,,	Fritz Rumpf and His Study over the Japanese Folktales. (In: Tokuro Yamamoto ed.: Fritz Rumpf and the Ise Monogatari.)	Monograph	Co-authored chapter	Kansai Daigaku Shuppanbu	pp.277-292
26	Lecture19	2013/2/27～2013,02,27,,,	A Travel in Medieval Germany with "the Green Men"
27	Book2	2013/1/28～2013,01,28,,,	"The Other World" and "the Other Being" in German Folktales. (In: Hisako Ono ed.: Interdisciplinary Study of the Other World.)	Monograph	Co-authored chapter	Bensei Publishing Company	pp.55-85
28	Papers1	2012/12/25～2012,12,25,,,	Der Mythos vom "Tierkönig Hagenbeck" und die Japaner (The Myth of "the Animal-King Hagenbeck" and the Japanese)	Academic Journal	Single-Author	Doitsubungaku-Ronko (Forschungsberichte zur Germanistik)	vol.54, pp.7-30.
29	Lecture19	2012/10/28～2012,10,28,,,	"Soldiers" in the Grimm's Fairy Tales and Patriarchy in early modern Germany. (In: Hisako Ono, Bernhard Lauer et al.: Symposium on Grimm's Fairy Tales and Gender.)
30	Lecture19	2012/10/20～2012,10,20,,,	Metamorphosis in German Legends and Fairy Tales. (In: Hisako Ono, Bernhard Lauer et al.: International Symposium on Grimm's Fairy Tales: 200th Anniversary.)
31	Commentary9	2012/10～2012,10,,,,	Why is Dr. Faust always beloved?	Other	Single-Author
32	Papers1	2012/9～2012,09,,,,	European Menageries and Zoos as Prototypes of "Jurassic Park"	In-house publication	Single-Author		Vol.62, 2, pp. 61-85
33	Academic presentation7	2012/7/8～2012,07,08,,,	The Rise and Fall of the German Zoo, 19th Century to 1945.
34	Papers1	2012/7～2012,07,,,,	The Objectives of Ancient and Medieval Animal Collections in the World	In-house publication	Single-Author		Vol.62, 1, pp.25-54
35	Book2	2012/3～2012,03,,,,	The Green Men and their Boundary Characters. (In: Junko Ninagawa ed.: Beholding the Face - Essays of Art and Cultural History on the Represented Faces.)	Monograph	Co-authored chapter	Kansai University Press	pp.1-32.
36	Book2	2011/4～2011,04,,,,	Gender and European Fairy Tales (In: Takashi Hamamoto et al.: Gender and Culture in Europe.)	Monograph	Co-editor	Akashi Shoten	pp.142-187
37	Papers1	2011/3～2011,03,,,,	Green Men - the Images of Forest in Medieval Europe	Academic Journal	Single-Author	Folk-Literature and Traditions	No. 19, pp. 195-212
38	Papers1	2011/3～2011,03,,,,	Legend of "The Lord of Animals" and European Hunting Culture: The Case of German-Speaking Areas	Academic Journal	Single-Author	Folktales: Studies and Materials	No. 39, pp. 166-182
39	Book2	2010/3～2010,03,,,,	The Legend of “Pied Piper of Hamelin” and its Relations with Popular Beliefs about Nativity of St. John the Baptist. (In: Takashi Hamamoto ed.: The "Time" when the Other World Opens.)	Monograph	Co-authored chapter	Kansai Daigaku Shuppanbu	pp.117-172
40	guest speaker99	2009/12/12～2009,12,12,,,	Dr. Faust - A Travel in Germany with Mephistopheles
41	Book2	2009/8～2009,08,,,,	The Legend of Faust - A Cultural History of the Devil and the Magic	Monograph	Single-Author	Bunrikaku
42	Papers1	2009/4～2009,04,,,,	Legend and Collective Memory - How to "Remember" the Past in Legend?	In-house publication	Single-Author	BULLETIN OF THE INSTITUTE OF ORIENTAL AND OCCIDENTAL STUDIES	No. 42, pp. 61-99
43	Book2	2008/7～2008,07,,,,	Study of the Green Men. (In: Takashi Hamamoto ed.: European Physiognomy.)	Monograph	Co-authored chapter	Hakusuisha	pp.130-167
44	Entwürfe99	2007/10/15～2007,10,15,,,	Die Zeit, wenn die "andere Welt" sich auftut	Academic Journal	Single-Author	Neue Beiträge zur Germanistik	No. 133, pp. 209-217
45	Papers1	2007/3～2007,03,,,,	Was ist die Sagenforschung? - Über die Bedeutungen und die Aussichten der Sagenforschung in Japan	In-house publication	Single-Author	Die deutsche Literatur	No. 51, pp. 213-237
46	Papers1	2006/12～2006,12,,,,	Doktor Faust und das Motiv Auferstehung - Zum Tod des bekannten Magiers im Faustbuch von 1587 und in Sagen	Academic Journal	Single-Author	Doitsubungaku-Ronko (Forschungsberichte zur Germanistik)	No. 48, pp. 27-47
47	Papers1	2006/7～2006,07,,,,	The Transformation of Dr. Faust - About the Ancient View of Nature in the 16th Century Faust Book	Academic Journal	Single-Author	Folktales: Studies and Materials	No. 34, pp. 116-129
48	Papers1	2006/4～2006,04,,,,	The "Swallowing Dragon" and Rites of Passage - About the Notion of "Death and Rebirth" in European Pictures	In-house publication	Single-Author	BULLETIN OF THE INSTITUTE OF ORIENTAL AND OCCIDENTAL STUDIES	No. 39, pp. 79-103
49	Papers1	2006/3～2006,03,,,,	The History of European Ships in the Forest Culture - Over the Change of View of Trees and the Deforestation Caused by the Shipbuilding in Europe	In-house publication	Single-Author	The Senriyama Bungaku Eonshu	No. 75, pp. 133-159
50	Papers1	2006/3～2006,03,,,,	„Der Klabautermann- und der Funadama-Glauben － Zu Schutzgeistern der Schiffe in Nordeuropa und in Japan“	In-house publication	Single-Author	Die deutsche Literatur	No. 50, pp. 179-203
51	Papers1	2005/3～2005,03,,,,	Folter und Hinrintungen gegen "Hexen"	In-house publication	Single-Author	Die deutsche Literatur	No. 49, pp. 269-283
52	Marginalia99	2005/3～2005,03,,,,	Tannhäuser und germanischer Glauben	In-house publication	Single-Author	Die deutsche Literatur	No. 49, pp. 373-382
53	Papers1	2004/3～2004,03,,,,	Die Entstehung der Faust-Sagen - Das Faust-Volksbuch vom Jahr 1587 und sein magiegeschichtlicher Hintergrund	In-house publication	Single-Author	Die deutsche Literatur	No. 48, pp. 143－168

PapersRise of Lost Worlds. A Cultural History of the Dinosaur Park, Part 2: Carl Hagenbeck’s Extinct Monsters.UnrefereedIn-house publicationSingle-AuthorMIZOI,Yuichicultural history;dinosaur;hagenbeck;pallenbergEssays and Studies by Members of the Faculty of Letters, Kansai University.72.4. 51-862023/3～The second part of the article series Rise of Lost Worlds features the exhibition of prehistoric animals at the Animal Park Hagenbeck (Tierpark Hagenbeck). It was founded in Stellingen, now a city district of Hamburg, by the German animal dealer Carl Hagenbeck (1844–1913). His animal park was a ground-breaking zoo introducing the three-dimensional ‘panorama’ in which animals roamed freely. In addition, in the eastern corner is the ‘Primaeval Landscape’ (Urweltlandschaft). It was an area filled with prehistoric monsters restored by the sculptor Josef Pallenberg (1882–1946). What did Hagenbeck intend to represent through his ‘lost world’ with Pallenberg’s assistance? How deeply has the scientific and cultural climate at the time of imperialism influenced Pallenberg’s restorations and the entire landscape? As no one alive has lived during the lost world, extinct animals need to wear ‘flesh’ prepared by summoners to visually represent their original form. Further, the flesh, or collective image of extinct animals, determines their forms and behaviours. Chapter 1 focuses on Hagenbeck’s career as an animal dealer and his concept of the panoramic exhibition and ‘Primaeval Landscape’. Chapter 2 features the characteristics of Pallenberg’s sculptures and the landscape’s construction process, while I explore the cultural-historical background of the prehistoric exhibition at Hagenbeck’s Animal Park in Chapter 3.

LectureA microcosm in the tank: the public aquarium's history, development and cultural background.MIZOI,Yuichicultural history;aquarium2022/10/15～The Japan Association of Sandplay TherapyNaruto University of Education

Magazine articleDinosaur Parks in the Age of Imperialism.OtherSingle-AuthorMIZOI,YuichiGenron13.2022/10～

Magazine articleThe ‘flesh eating’ at zoos and aquariums: a historical consideration about the relationship between ‘watching’ and ‘eating.’OtherSingle-AuthorMIZOI,Yuichizoo;aquarium;flesh eatingGendaisisou2022.6.2022/6～

PapersRise of Lost Worlds. A Cultural History of the Dinosaur Park, Part 1: The Geological Exhibition at the Crystal Palace Park, Sydenham. (This essay (the first section of ‘Rise of Lost Worlds’), comprising the main chapters including conclusion, was translated and revised text from my Japanese article ‘The ‘Lost World’ at the Crystal Palace, Sydenham.’ Studies in Victorian Culture. 19 (2021): 179–208), with superadded pictures)UnrefereedIn-house publicationSingle-AuthorMIZOI,Yuichicultural history;dinosaur;waterhouse hawkins;crystal palaceEssays and Studies by Members of the Faculty of Letters, Kansai University. 71.4.73-1072022/3～In this essay series, I discuss the exhibition of full-sized models of extinct animals in open (sometimes roofed) areas, which were generally called ‘dinosaur parks’, in Europe, the United States and Japan. Along with dinosaur parks managed independently, the ancient animal dioramas managed by larger facilities, such as zoological gardens, museums and amusement parks, like the geological section at the Crystal Palace Park in Sydenham (1854), are highlighted in this series. I focus on the process of producing these exhibits and exhibit designs. Furthermore, the cultural backgrounds of these exhibitions are examined because they were intimately related to scientific and religious arguments of the time, technological developments, political movements (e.g. imperialism) and historical events, such as wars. The first part of this series focuses on the geological section of the Crystal Palace Park.

Papers'The Lost Warld' at the Crystal Palace, SydenhamUnrefereedAcademic JournalSingle-AuthorMIZOI,Yuichidinosaur;crystal palace;crystal palaceStudies in Victorian Culture179-2082021/11～This article seeks to describe the characteristics of the 'geological section' laid in the Crystal Palace Park at Sydenham, also discussing what the figures of prehistoric animals symbolised to the people of the Victorian era.

Magazine articleZoos, Aquariums and War: Their complicated relationsOtherSingle-AuthorMIZOI,Yuichizoo;aquarium;warMuseum Studies8(56).23-26.2021/7～

BookZoo: History and Adventure.MonographSingle-AuthorMIZOI,Yuichizoo;cultural history;historyChuokoron-Shinsha2021～

Book reviewUnrefereedSingle-AuthorMIZOI,Yuichi2020/11/28～

LectureZoo and Aquarium Culture in modern EuropeUnrefereedSingle-AuthorMIZOI,Yuichizoo;cultural history2020/11/28～The Victorian Studies Society of JapanZoom

Magazine articleZoos during the pandemicUnrefereedOtherSingle-AuthorMIZOI,Yuichizoo;coronavirus;pandemicAsteion. Vol.932020/11～

LectureMIZOI,Yuichiaquarium;cultural history2020/2/22～

Translated bookMonographMichael H. Kater;MORI, Takashi;MIZOI,Yuichi;2020/2/6～

CommentaryMIZOI,Yuichi2019/5/9～2019/8/28

LectureMIZOI,Yuichiaquarium2019/4/27～

Book reviewMIZOI,Yuichi2019/3/1～

BookUnrefereedMonographSingle-AuthorMIZOI,YuichiAquarium;Cultural History2018/11～

BookThe Exhibition of Oceans: The Cultural History of Public Aquariums in Europe, the United States and Japan. (awarded "The Suntory Prize for Social Sciences and Humanities", 2018)UnrefereedMonographSingle-AuthorMIZOI,Yuichiaquarium;cultural history;history;fishpondBensei Publishing359 pages2018/6/15～Chapter one: The relation between humans and aquatic animals before the 19th century 1. Ancient images of aquatic animals Aquatic animals in mythology / Aquatic animals as symbols of life and rebirth / The Natural History of Pliny the Elder / Early studies of aquatic animals and the exploitation of marine resources / The fishpond culture in Mesopotamia, Egypt and China / Roman fishponds / Column: Images of the underwater world and aquatic animals in Japanese mythology 2. Aquatic animals in medieval Europe Leviathan in the Bible / The exploitation of aquatic animals / The medieval ﬁshpond / De animalibus of Albert the Great 3. Fish on paper: Natural history in early modern Europe The development of natural history / Column: Fish paintings and natural historical studies in China and Japan / The cabinet of curiosities / The overseas expansion of Europe / Summary: Changing images of aquatic animals from ancient to early modern periods / Column: Goldﬁsh culture Chapter two: European public aquariums during the 19th century 4. The advent of aquariums The invention of the ‘balanced aquarium’ / The ‘Fish House’ at London zoo / The aquarium warehouse / The tragedy of Philip Gosse / The early immersive exhibition / Aquariums and images of the underwater world / Immersive experiences at the Berliner Aquarium unter den Linden / Column: Aquariums at the Hamburg, Amsterdam, and Antwerp zoos 5. Empires under the sea 20000 leagues under the sea and the underwater exhibit / The conquest of the deep sea / Aquariums in Great Britain / The aquarium at the Paris Colonial Exposition / Column: The HMS Challenger expedition 6. Aquariums and oceanography The Stazione Zoologica in Naples / The aquarium at the Oceanographic Museum of Monaco / Carlos I of Portugal and the Aquário Vasco da Gama Chapter three: Public aquariums in the United States and Japan 7. Aquariums under stars and stripes PT Barnum’s American museum / The Great New York Aquarium and its grandiose exhibits / The New York Aquarium and the Woods Hole Science Aquarium / Aquariums constructed in monumental buildings 8. Aquariums under the rising sun Uo-nozoki: The ﬁrst public aquarium at the Ueno zoo / The ‘full-ﬂedged’ aquarium in Kobe / Struggles to keep ﬁsh alive / The private Asakusa-koen Aquarium / The Sakai Aquarium at the Fifth National Industrial Exposition / Japanese aquariums as a hybrid of European and Japanese cultures / Aquariums and imperialism / Column: The ‘Dragon Palace’ on the Land / Fish paintings inspired by aquariums / The short lived Hanshin Park Aquarium: 1934–1943 9. Suffering and revival during a turbulent period The oceanarium at the Marine Studios / The exhibition of ‘edited nature’ / Aquariums at War / Aquariums built in a battleship and a ﬂak tower / Summary: Features of public aquariums before WW II Chapter four: The age of marine parks and ‘theme aquariums’ 10. New exhibits, new images of the sea Oceanariums and roundabouts / The introduction of acrylic panels / The impact of underwater ﬁlms 11. The emergence of marine parks and theme aquariums Sea World provides underwater experiences / The conquest of the sea in the cold war era / Aquariums designed by Peter Charmayeff / ‘Diving’ experiences at the Monterey Bay Aquarium / The Living Seas at Disney World / Column: Theme Aquarium: The video game 12. Theme aquariums in Japan The ‘Circus Aquarium’ of Yasuo Suehiro / Cutting out a piece of the sea: The aquarium at Expo ‘75 / An aquarium which exhibits the ‘way of life’ of ﬁsh / Column: Expo ‘75 and ocean development 13. Commercialisation of aquariums Sea World and the process of ‘Disneyization’ / ‘Disneyized’ aquariums: Theming, hybrid consumption, merchandising and performative labour / The ‘hyperreality’ of artiﬁcial oceans / Column: An aquarium like a shopping mall Chapter five: Aquariums during the postmodern period 14. Aquariums in criticism The ‘dolphin shock’ in 2015 / The change in environmental awareness: 1960s–1970s / Animal welfare and animal rights / The fall of the ‘grand narrative’ / Challenges to ‘retheme’ aquarium exhibitions 15. Controversy about captive aquatic animals Aquariums monitored by animal protection groups / Questions about marine mammal exhibits and shows / Shamu Show and Blackfish: A ‘war’ between two narratives 16. The way to the ‘hybrid aquarium’ The introduction of virtual reality technologies / ‘Augmented’ aquarium experiences / The exhibition without boundaries: Animals, VR animals and animal-inspired robots

BookA Cultural History of Watching Fish ‘From the Side and from Below’: Roman Fish Ponds, Natural History Books, Cabinets of Curiosity, Goldfish Bowls and Aquariums. (In: Hasebe, Tsuyoshi. ed. "Transformation" of the Japanese Language and Culture）This article is the translated and revised version of ‘"Sakana wo yoko kara, shita kara miru koto" no bunkashi: Roma shiki yogyoike kara hakubutsushi, Wunderkammer, kingyobachi, suizokukan made (by Yuichi Mizoi)’ Kansai University Studies in Literature. 65.3/4 (2016) 77–113.UnrefereedMonographCo-authored chapterMIZOI,Yuichifish;aquariumInstitute of Oriental and Occidental Studiespp. 212-2562017/3/31～The purpose of this essay is to trace the history of ‘watching fish’—from Roman fish ponds, to natural history books, to cabinets of curiosity, to goldfish bowls, to modern aquariums and to reveal the impulsion of the people in countries of the East and West for catching, describing and observing live fish to his/her satisfaction.

BookFangen, Züchten und Faszinieren. Zur Geschichte der Beziehungen zwischen westlichen Menschen und Wassertieren in Altertum und Mittelalter.UnrefereedMonographCo-authored chapterMIZOI,Yuichifishpond;human-animal relationships;;Bensei Shuppan337－3602017～

BookDas Reich der Erinnerungen: Eine Kulturgeschichte des kollektiven Gedächtnisses in und von Nazi-DeutschlandUnrefereedMonographCo-editorMIZOI,Yuichi;HOSOKAWA,Hirofumi;SAITO,Kosukenazis;memory;heck, lutz;wagner;sociolinguistics;iron sky;untergang;er ist wieder daBensei Shuppan2016/12/31～4585221557Wie allgemein bekannt, missbrauchten die Nationalsozialisten kulturelle Erinnerungen - oder noch genauer - "von ihnen erdichtete" - kulturelle Erinnerungen des deutschen Volkes, um Bürger zu kontrollieren. Dabei wurden die traditionellen Kulturgüter von Architektur über Musik bis zu Symbolen oder Festen umgearbeitet und neu bewertet, um ein zu ihren Ideen passendes Vergangenheitsbild darzustellen. Heute ist aber "Nazis" nicht nur in Deutschland, sondern in anderen Ländern, auch als ein Teil des kollektiven Gedächtnisses zu verstehen, da sich die Gesellschaft durch Massenmedien wie Film oder Roman immer an "Das Dritte Reich" facettenreich erinnert. Im vorliegenden Buch wird die Darstellung der Vergangenheit im dritten Reich und die Darstellung des dritten Reich in der Gegenwart unter dem Begriff "kulturelle Erinnerung" oder "kollektives Gedächtnis" diskutiert.

PapersThe Exhibition of Oceans: A History of the ‘Immersive Exhibition’ at Public Aquariums from the 19th to the 21st CenturyUnrefereedIn-house publicationSingle-AuthorMIZOI,Yuichiaquarium;history;history of the aquarium;immersion;;;Essays and Studies by Members of the Faculty of Letters, Kansai University, 66.379-1222016/12/16～This paper aims to trace the history of the ‘immersive exhibition’ at public aquariums from the 19th to the 21st century, with reference to technological developments as well as the social and cultural background of these exhibits. We also take a look at what these kinds of exhibitions might look like in the near future. In this paper, we also consider the ‘reality’ presented by aquarium exhibitions. The simulated seascape cannot seem ‘realistic’ unless it meets visitors' expectations. Therefore, aquarists have over time tried to reconstruct’ oceans’ so that visitors would feel as if the exhibition were ‘real’. The first section of this paper focuses on the features of early immersive exhibitions from the 19th to the beginning of the 20th century, comparing them with other visual cultural forms, such as the panorama. The second section treats aquariums from the 20th century to the beginning of the 21st century. We have selected here representative aquariums in Western and Eastern countries and analyse their exhibition styles. In the last section, which features the advent of new exhibitions that apply VR technology, we concisely discuss the exhibition that may appear in the near future.

BookKulturgeschichtliche Gedanken zum Verwandlungsmotiv in Märchen und SagenUnrefereedMonographCo-authored chapterMIZOI,Yuichi;Grimm;Legend;Benseipp. 181-2082015/5/30～

BookUnrefereedMonographCo-authored chapterMIZOI,Yuichi;wunderkammer;wunderkammer;kunstkammer;cabinet of curiosities;Benseipp.277-3052015/1/16～

BookMonographCo-authored chapterMIZOI,Yuichi2015～

PapersVater- und Mutterbild in der Sage "Der Rattenfaenger von Hameln"In refereedAcademic JournalSingle-AuthorMIZOI,Yuichi;hameln;pied piper;legend;Studienreihe der Japanischen Gesellschaft fuer Germanistikpp.3-142014/10/11～

Academic presentationThe Reviving "Germanic Extinct Animals" in the Third Reich (Study of the Collective Memory in the Third Reich)MIZOI,Yuichi;2014/10/11～Japanische Gesellschaft für Germanistik Kyoto Prefectural University

BookDie deutsche SonderlingstrasseUnrefereedMonographCo-authorMIZOI,Yuichi;MORI, TAKASHI;HOSOKAWA, HIROFUMI;;Kansai-University Publishing2014/7/31～

BookThe Cultural History of ZooUnrefereedMonographSingle-AuthorYuchi Mizoi;zoo;menagerie;view of nature;hagenbeck;lutz heck;2014/4～

Academic presentationIn the Case of the Legend "Pied Piper of Hameln" In: Symposium "The Image of Father and Mother in Grimms Fairy Tale and German Folklore"Yuichi Mizoi;hameln;legend;gender;father;mother;family;2013/9/29～Japanische Gesellschaft für GermanistikHokkaido University

Edited bookBrothers Grimm and Folktales of the WorldMonographEditorYuichi Mizoi;grimm;fairy tale;fairy tale;legend;Asao publishing 2013/7/20～

Book"The Travel with Pied Piper of Hamelin" et al. (5., 6., 9. chapter) (In: Takashi Hamamoto, Mamoru Takahashi ed.: 62 Topics about Modern German Culture.)UnrefereedMonographCo-authored chapterYuichi Mizoi;germany;faust;hameln;snow white;pied piper;hainich;Akashi Shotenpp.35-39, 40-44, 59-63.2013/4～

joint translationDas Ise Monogatari von 1608 und sein Einfluß auf die Buchillustration des 17. Jahrhunderts in Japan. (In: Tokuro Yamamoto ed.: Fritz Rumpf and the Ise Monogatari.)UnrefereedMonographYuichi Mizoi;Tokuro Yamamoto;rumpf;isemonogatari;Kansai Daigaku Shuppanbupp.3-732013/3～

BookFritz Rumpf and His Study over the Japanese Folktales. (In: Tokuro Yamamoto ed.: Fritz Rumpf and the Ise Monogatari.)UnrefereedMonographCo-authored chapterYuichi Mizoi;rumpf;Kansai Daigaku Shuppanbupp.277-2922013/3～

LectureA Travel in Medieval Germany with "the Green Men"Yuichi Mizoi;green man;2013/2/27～

Book"The Other World" and "the Other Being" in German Folktales. (In: Hisako Ono ed.: Interdisciplinary Study of the Other World.)UnrefereedMonographCo-authored chapterYuichi Mizoi;other world;legend;Bensei Publishing Companypp.55-852013/1/28～

PapersDer Mythos vom "Tierkönig Hagenbeck" und die Japaner (The Myth of "the Animal-King Hagenbeck" and the Japanese)In refereedAcademic JournalSingle-AuthorYuichi Mizoi;zoo;hagenbeck;Doitsubungaku-Ronko (Forschungsberichte zur Germanistik)vol.54, pp.7-30.2012/12/25～

Lecture"Soldiers" in the Grimm's Fairy Tales and Patriarchy in early modern Germany. (In: Hisako Ono, Bernhard Lauer et al.: Symposium on Grimm's Fairy Tales and Gender.)Yuichi Mizoi;grimm;fairy tale;fairy tale;mercenary;2012/10/28～Mukogawa Women's University

LectureMetamorphosis in German Legends and Fairy Tales. (In: Hisako Ono, Bernhard Lauer et al.: International Symposium on Grimm's Fairy Tales: 200th Anniversary.)Yuichi Mizoi;grimm;legend;fairy tale;fairy tale;2012/10/20～Toyo University

CommentaryWhy is Dr. Faust always beloved?UnrefereedOtherSingle-AuthorYuichi Mizoi;faust;2012/10～

PapersEuropean Menageries and Zoos as Prototypes of "Jurassic Park"UnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;zoo;jurassic park;jurassic park;Vol.62, 2, pp. 61-852012/9～

Academic presentationThe Rise and Fall of the German Zoo, 19th Century to 1945.Yuichi Mizoi;zoo;hagenbeck;Lutz Heck;2012/7/8～

Academic presentationMIZOI,Yuichi2012/7/8～

PapersThe Objectives of Ancient and Medieval Animal Collections in the WorldUnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;zoo;Vol.62, 1, pp.25-542012/7～

BookThe Green Men and their Boundary Characters. (In: Junko Ninagawa ed.: Beholding the Face - Essays of Art and Cultural History on the Represented Faces.)UnrefereedMonographCo-authored chapterYuichi Mizoi;green man;;;;;Kansai University Presspp.1-32.2012/3～The “green men” or “foliate heads” are peculiar sculptures located in European medieval churches. Resembling human heads, they disgorge greenery that usually consists of leaves. Their true meanings have been a mystery to scholars and have inspired a wide range of interpretations. Raglan (1939) insisted that they were descendants of pagan plant gods that give people strength and fertility, whereas Anderson (1990) asserted that they were a symbolization of “irrepressible life” and “the union of humanity and the vegetable world.” Several others such as Basford (2003) claimed that they had not only positive but also negative meanings and could evoke the horrors of the “silva daemonium.” I believe that they primarily exist as ambiguous characters in the so-called “boundary zone” between the human and botanical worlds. As stated in a theory by Leach (1995), the term “boundary” refers to the “spatial and temporal markers” that are themselves “abnormal, timeless, ambiguous…, [and] sacred.” After viewing examples during my field work in Europe, I argue that the green men serve as boundary characters that sway between graceful and ugly forms, thus representing both the victory of Jesus and the evil force of demons. The sculpture’s acts of disgorging and swallowing plants symbolize life from its beginning to death and re-birth. On the basis of this boundary theory, it is not surprising to see that they are often located at the boundary zone of churches primarily in carved portals, capitals, and the borders of tympanum.

Research reportYuichi Mizoi;grimm;legend;fairy tale;fairy tale;other world;2011/6/5～

BookGender and European Fairy Tales (In: Takashi Hamamoto et al.: Gender and Culture in Europe.)In refereedMonographCo-editorYuichi Mizoi;fairy tales;märchen;grimm;Akashi Shotenpp.142-1872011/4～

PapersGreen Men - the Images of Forest in Medieval EuropeIn refereedAcademic JournalSingle-AuthorYuichi Mizoi;green man;;Folk-Literature and TraditionsNo. 19, pp. 195-2122011/3～The Japan Society of Folk-Literature and Traditions (JSFT)

PapersLegend of "The Lord of Animals" and European Hunting Culture: The Case of German-Speaking AreasIn refereedAcademic JournalSingle-AuthorYuichi Mizoi;lord of animals;legend;sage;herr der tiere;hunt;jagd;Folktales: Studies and MaterialsNo. 39, pp. 166-1822011/3～The Japan Society for Folktale Studies

LectureYuichi Mizoi;2010/10/27～Klub Zukunft

Book reviewUnrefereedOtherSingle-AuthorYuichi Mizoi;ロマ;;ShohyoNo. 134, pp. 152-1562010/10～Kansaidaigaku Seikatsu Kyodo Kumiai

Book The Legend of “Pied Piper of Hamelin” and its Relations with Popular Beliefs about Nativity of St. John the Baptist. (In: Takashi Hamamoto ed.: The "Time" when the Other World Opens.)UnrefereedMonographCo-authored chapterMIZOI,Yuichi;hameln;pied piper;grimm;legend;sage;rattenfänger;;Kansai Daigaku Shuppanbupp.117-1722010/3～

guest speakerDr. Faust - A Travel in Germany with MephistophelesYuichi Mizoi;faust;legend;2009/12/12～

BookThe Legend of Faust - A Cultural History of the Devil and the MagicUnrefereedMonographSingle-AuthorYuichi Mizoi;faust;magic;devil;legend;sage;magie;zauber;teufel;Bunrikaku2009/8～

PapersLegend and Collective Memory - How to "Remember" the Past in Legend?UnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;アルヴァックス;グリム;BULLETIN OF THE INSTITUTE OF ORIENTAL AND OCCIDENTAL STUDIESNo. 42, pp. 61-992009/4～The Institute of Oriental and Occidental Studies

Research reportYuichi Mizoi;2009/1/13～The Institute of Oriental and Occidental StudiesKansai University

BookStudy of the Green Men. (In: Takashi Hamamoto ed.: European Physiognomy.)In refereedMonographCo-authored chapterMIZOI,Yuichi;green man;;Hakusuishapp.130-1672008/7～

Research reportYuichi Mizoi;2008/6/15～

Academic presentationYuichi Mizoi;2008/6/14～Japanische Gesellschaft für GermanistikRikkyo University

Research reportYuichi Mizoi;2007/12/14～

Research reportYuichi Mizoi;2007/12/9～

EntwürfeDie Zeit, wenn die "andere Welt" sich auftutIn refereedAcademic JournalSingle-AuthorYuichi Mizoi;笛吹き男;グリム;Neue Beiträge zur GermanistikNo. 133, pp. 209-2172007/10/15～Japanische Gesellschaft für Germanistik

PapersWas ist die Sagenforschung? - Über die Bedeutungen und die Aussichten der Sagenforschung in JapanUnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;ランケ;;Die deutsche LiteraturNo. 51, pp. 213-2372007/3～Gesellschaft für Germanistik der Kansai Universität

PapersDoktor Faust und das Motiv Auferstehung - Zum Tod des bekannten Magiers im Faustbuch von 1587 und in SagenIn refereedAcademic JournalSingle-AuthorYuichi Mizoi;魔法;民衆本;Doitsubungaku-Ronko (Forschungsberichte zur Germanistik)No. 48, pp. 27-472006/12～Der japanische Verein für Germanitik im Bezirk Osaka-Kobe

Academic presentationYuichi Mizoi;2006/9/30～Gesellschaft für Germanistik der Kansai UniversitätKansai University

PapersThe Transformation of Dr. Faust - About the Ancient View of Nature in the 16th Century Faust BookIn refereedAcademic JournalSingle-AuthorYuichi Mizoi;自然観;伝説;;Folktales: Studies and MaterialsNo. 34, pp. 116-1292006/7～The Japan Society for Folktale Studies

Academic presentationYuichi Mizoi;2006/6/3～Japanische Gesellschaft für GermanistikGakushuin University

PapersThe "Swallowing Dragon" and Rites of Passage - About the Notion of "Death and Rebirth" in European PicturesUnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;イアソン;ジークフリート;;BULLETIN OF THE INSTITUTE OF ORIENTAL AND OCCIDENTAL STUDIESNo. 39, pp. 79-1032006/4～The Institute of Oriental and Occidental Studies

PapersThe History of European Ships in the Forest Culture - Over the Change of View of Trees and the Deforestation Caused by the Shipbuilding in EuropeUnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;船舶;;The Senriyama Bungaku EonshuNo. 75, pp. 133-1592006/3～The Graduate School of Kansai University

Papers„Der Klabautermann- und der Funadama-Glauben － Zu Schutzgeistern der Schiffe in Nordeuropa und in Japan“UnrefereedIn-house publicationSingle-AuthorMIZOI,Yuichi;船霊;Die deutsche LiteraturNo. 50, pp. 179-2032006/3～Gesellschaft für Germanistik der Kansai Universität

Research reportYuichi Mizoi;2005/12/23～

Academic presentationYuichi Mizoi;2005/7/3～The Japan Society for Folktale StudiesKyoto Women's University

Research reportYuichi Mizoi;2005/5/4～

Academic presentationYuichi Mizoi;2005/4/3～Der japanische Verein für Germanitik im Bezirk Osaka-KobeKansai University

PapersFolter und Hinrintungen gegen "Hexen"UnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;処刑;;Die deutsche LiteraturNo. 49, pp. 269-2832005/3～Gesellschaft für Germanistik der Kansai Universität

MarginaliaTannhäuser und germanischer GlaubenUnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;ヴィーナス;;Die deutsche LiteraturNo. 49, pp. 373-3822005/3～Gesellschaft für Germanistik der Kansai Universität

Academic presentationYuichi Mizoi;2004/9/25～Gesellschaft für Germanistik der Kansai UniversitätKansai University

PapersDie Entstehung der Faust-Sagen - Das Faust-Volksbuch vom Jahr 1587 und sein magiegeschichtlicher HintergrundUnrefereedIn-house publicationSingle-AuthorYuichi Mizoi;魔法;;Die deutsche LiteraturNo. 48, pp. 143－1682004/3～Gesellschaft für Germanistik der Kansai Universität

MIZOI, Yuichi

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