Raphael,LAMBERT - Faculty of Letters General Department of Humanities Department of Cross-Cultural Studies

Raphael, LAMBERT

Faculty, Department/Institute

Faculty of Letters General Department of Humanities Department of Cross-Cultural Studies

Academic status (qualification)

Professor Apr. 1,2015

Undergraduate Degrees・University

University of Wisconsin-Milwaukee Faculty of LiteratureDepartment of English 2001 Graduated
University of New Orleans Faculty of Foreign LanguageEnglish and Spanish 1992 Graduated
Université de Grenoble Faculty of Foreign LanguageFrench as a Foreign Language 1994 Graduated

Graduate Degrees・University

Other Doctor's Degree Program Department of English 2001 Completed
Other Master's Degree Program English and Spanish 1993 Completed
Other Master's Degree Program French as a Foreign Language 1995 Completed
Other Master's Degree Program English-speaking literatures – textual analysis 1996 Completed

Academic Degrees

May 2001 University of Wisconsin-Milwaukee

Research fields	keyword
American literature	;;

research topic
Study theme state
research duration	2020 ～ 2026
Research Programs
keyword	,
Research field	American literature
Research Topics Overview	現在の研究は、3人の主要な黒人思想家フレデリック・ダグラス、W.E.B.デュボイス、サイディヤ・ハートマンを対照させることで見えてくる、アフリカ系アメリカ人の文化、歴史、政治哲学の交差に立脚しています。3者の思想を並べることで、南北戦争前から21世紀までのアフリカ系アメリカ人の経験を概観し、奴隷のエイジェンシーやアンチブラックネスなどの重要なテーマについて議論を深めることが目的です。最終的には、アフロペシミズムの起源と方向性を批判検証し、アフロペシミズムによるフランツ・ファノンの反植民地的暴力の理論のアプロプリエーションを精査することを目指しています。

所属学会・団体名	役職名 (役職在任期間)
MLA
Society for Cinema and Media Studies
The Japanese Association for American Studies
American Literature Society of Japan
English Literary Society of Japan
Japan Black Studies Association

Research Publications

No.	Type of publication	Date of publication (Date of presentation)	Title	Type of research result	Jointly authored or single authored	Publisher and journal name	Volume number
1	Papers1	2019/1/10～2019,01,10,,,	Narrating the Slave Trade, Theorizing Community	Monograph	Single-Author	Amsterdam/New York: Brill Press
2	International academic conference8	2011/2/11～2011/2/122011,02,11,2011,02,12	“From Opéra Comique’s to MTV’s Carmen: A Mediascopy”	Other	Single-Author
3	Academic presentation7	2011/1/29～2011/1/292011,01,29,2011,01,29	“The Transatlantic Slave Trade and Theories of Community”	Other	Single-Author
4	Papers1	2010/5/15～2010,05,15,,,	“Race and the Tragic Mode in Ernest J. Gaines’s A Gathering of Old Men.”	Academic Journal	Single-Author	Southern Literary Journal, 42.2	106-125
5	International academic conference8	2010/3/17～2010/3/212010,03,17,2010,03,21	“The Middle Passage: Film Posters and the Meaning They Create”	Other	Single-Author
6	Papers1	2009/11/10～2009,11,10,,,	“Walter Mosley’s Devil in a Blue Dress: The Reforming Spirit of Neo-Noir.” Detective Fiction in a Postcolonial and Transnational World.	Monograph	Co-author	Pearson, Nels and Marc Singer, eds. Burlington, VT: Ashgate Press	181-194
7	Translated book4	2009/10/12～2009,10,12,,,	“Guy Debord and Avant-garde Cinema” (François Albéra) Against Cinema—Guy Debord	Other	Single-Author	Guy Debord Retrospective at the Yamagata International Documentary Film Festival	46-49
8	Translated article or paper16	2009/10/10～2009/10/122009,10,10,2009,10,12	“Guy Debord and Avant-garde Cinema” (François Albéra) Against Cinema—Guy Debord Retrospective at the Yamagata International Documentary Film Festival, 46-49頁	Other	Single-Author	Yamagata International Documentary Film Festival
9	Papers1	2009/2/10～2009,02,10,,,	“Alice Walker’s The Color Purple: Womanist Folk Tale and Capitalist Fairy Tale.” Dialogue 5: Alice Walker’s The Color Purple. Lagrone, Kheven, ed.	Academic Journal	Co-author	Rodopi Press (Amsterdam/New York)	43-57
10	International academic conference8	2008/12/27～2008/12/302008,12,27,2008,12,30	“Re-drawing the Slave Trade: François Bourgeon’s Les passagers du vent,” Interdisciplinary Approaches to Culture and Society: (Not) Checking the Box: Opening Up Spaces through Discourses	Other	Single-Author
11	Guest Reviewer for African American Review99	2008/11/15～2008,11,15,,,	Guest Reviewer for African American Review. Topic: Richard Wright's Native Son	Other	Single-Author
12	Academic presentation7	2008/10/11～2008/10/122008,10,11,2008,10,12	“Men of the Middle Passage and Middle Passage Men: Transatlantic Slave Trade and Poetic Imagination”	Other	Single-Author
13	Papers1	2008/3/10～2008,03,10,,,	“Negotiating Black Identity: Percival Everett’s Erasure.”	Academic Journal	Single-Author	The Journal of the American Literature Society of Japan, 7	32-50
14	International academic conference8	2008/3/6～2008/3/92008,03,06,2008,03,09	“The Strange Career of Tamango: From Prosper Mérimée’s 1829 Novella to Its 1958 Film Adaptation”	Other	Single-Author
15	International academic conference8	2007/12/27～2007/12/302007,12,27,2007,12,30	“Adapting the Middle Passage: Médiagénie and Ideology,” Theorizing Adaptation II: Ideology and the Medium, Division on Literature and the Other Arts	Other	Single-Author
16	Papers1	2007/10/15～2007,10,15,,,	“From Page to Screen: a Comparative Study of Richard Wright’s Native Son and Its Two Film Adaptations.” Dialogue 2: Richard Wright’s Native Son. Ana María Fraile, ed.	Monograph	Co-author	Amsterdam/New York: Rodopi Press	187-202
17	Co-Adviser99	2007/10/13～2007,10,13,,,	Francis Poulenc autour des poètes surréalistes / Conférence-Concert II. Association des études sur la musique française（筑波市）	Other	Co-author
18	Papers1	2007/5/1～2007,05,01,,,	“Englishness, Christianity and Mammonism: A Topology of Olaudah Equiano’s Discursive Strategies.”	Academic Journal	Single-Author	Review of American Literature – Tsukuba American Literary Society, Volume 20	70-89
19	Academic presentation7	2007/3/24～2007/3/242007,03,24,2007,03,24	“The Middle-Passage Narrative On Page and On Screen”	Other	Single-Author
20	International academic conference8	2007/3/8～2007/3/112007,03,08,2007,03,11	“Representation of the Middle Passage: Unshowable, Unsayable, and Transcendence”	Other	Single-Author
21	Academic presentation7	2006/5/20～2006/5/202006,05,20,2006,05,20	“Negotiating Black Identity in Ralph Ellison’s Invisible Man and Percival Everett’s Erasure”
22	International academic conference8	2006/4/12～2006/4/152006,04,12,2006,04,15	“Alan Parker’s Mississippi Burning and the Stakes of Pop History”	Other	Single-Author
23	Papers1	2006/3/15～2006,03,15,,,	“Reopening the Mississippi Burning File: Can Hollywood Teach Us History?”	Academic Journal	Single-Author	Journal of Black Studies in Japan, # 75	37-45
24	Lecture19	2005/12/13～2005,12,13,,,	“How to Analyze Film / A Case Study: Devil in a Blue Dress”（津田塾大学）	Other	Single-Author
25	Lecture19	2005/10/3～2005,10,03,,,	“Zora Neale Hurston’s “Sweat”: Analysis”（津田塾大学）	Other	Single-Author
26	Academic presentation7	2005/6/4～2005/6/42005,06,04,2005,06,04	“The Devil Wears Blue but It’s All in Black and White: Race Relationships in Walter Mosley’s Devil in a Blue Dress and Its Film Adaptation”	Other	Single-Author
27	Papers1	2004/11/10～2004,11,10,,,	“Going to Meet the Mind: A Psychoanalytic Reading of James Baldwin’s Going to Meet the Man.”	Academic Journal	Single-Author	Tsuda Review, No. 49	1-20
28	Lecture19	2004/10/22～2004,10,22,,,	A Tribute to François Truffaut: Seminar on The Wild Child (1970)　横浜市美術館	Other	Single-Author
29	Academic presentation7	2004/10/16～2004/10/172004,10,16,2004,10,17	“‘Alice in Spielbergland’ and ‘Steven in Walkerland’: Reassessing the Film Adaptation of The Color Purple”	Other	Single-Author
30	Book review6	2004/3/15～2004,03,15,,,	Book review: Leaving Disneyland, Alexander Parsons, 2001.	Academic Journal	Single-Author	The Cream City Review, 28.1	155-157
31	Papers1	2003/10/10～2003,10,10,,,	“Oral Communication and Musicality in Ernest J. Gaines’s A Gathering of Old Men.”	Academic Journal	Single-Author	The Griot, Volume 22: 2	78-87
32	Papers1	2003/8/15～2003,08,15,,,	“The Construction of the Other and the Self in André Gide’s Travels in the Congo and Frantz Fanon’s Black Skin, White Masks.”	Academic Journal	Single-Author	Studies in Twentieth Century Literature, Volume 27: 2	253-272
33	Book review6	2002/9/10～2002,09,10,,,	Book review: Stormy Weather: A Charlotte Justice Novel, Paula L. Wood, 2001.	Academic Journal	Single-Author	The Cream City Review, 26.2	172-173
34	International academic conference8	2002/5/24～2002/5/262002,05,24,2002,05,26	“Jean-Luc Godard’s Prénom: Carmen and MTV’s Hip Hopera: Two Conceptions of Carmen”	Other	Single-Author
35	Papers1	2002/4/10～2002,04,10,,,	“Revisiting the Myth of Carmen: Jean-Luc Godard’s First Name: Carmen.”	In-house publication	Single-Author	Occasional Paper Series: The Center for International Education at University of Wisconsin – Milwaukee	2-7
36	International academic conference8	2000/3/30～2000/4/12000,03,30,2000,04,01	“ ‘Bigger Thomas, c’est moi!’ Reflections on Two Film Adaptations of Richard Wright’s Native Son”	Other	Single-Author
37	International academic conference8	1999/9/17～1999/9/181999,09,17,1999,09,18	“From Ernest J. Gaines’s A Gathering of Old Men to Volker Schlöndorff’s Murder on the Bayou: Limits and License of a Film Adaptation”	Other	Single-Author
38	Interview99	1997/4/10～1997,04,10,,,	“Interview with African American writer Ernest J. Gaines.”	Academic Journal	Single-Author	Sources, Vol.2	55-70

BookIn refereedMonographCo-authorRaphael,LAMBERT2021/9/13～9781789974942

PodcastOtherRaphael,LAMBERT2021/1/20～2021/1/20

PapersNarrating the Slave Trade, Theorizing CommunityIn refereedMonographSingle-AuthorRaphael,LAMBERTAmsterdam/New York: Brill Press2019/1/10～

International academic conference“From Opéra Comique’s to MTV’s Carmen: A Mediascopy” In refereedOtherSingle-AuthorRaphael,LAMBERT;;;;;2011/2/11～2011/2/12Carmen and Her Others Conference, University College of LondonUniversity College of LondonEnglishCarmen and Her Others Conference, University College of London, Mellon Programme, London, February 11-12, 2011

Academic presentation“The Transatlantic Slave Trade and Theories of Community” UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2011/1/29～2011/1/29American Literature Society of Japan, Tokyo ChapterKeio University, Mita Campus

Papers“Race and the Tragic Mode in Ernest J. Gaines’s A Gathering of Old Men.” In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;Southern Literary Journal, 42.2106-1252010/5/15～

International academic conference“The Middle Passage: Film Posters and the Meaning They Create”UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2010/3/17～2010/3/21Society for Cinema and Media Studies ConferenceSCMS, Los Angeles

Papers“Walter Mosley’s Devil in a Blue Dress: The Reforming Spirit of Neo-Noir.” Detective Fiction in a Postcolonial and Transnational World. In refereedMonographCo-authorRaphael,LAMBERT;Pearson, Nels and Marc Singer, eds. Burlington, VT: Ashgate Press181-1942009/11/10～9780754668480

Translated book“Guy Debord and Avant-garde Cinema” (François Albéra) Against Cinema—Guy Debord UnrefereedOtherSingle-AuthorRaphael,LAMBERT;Guy Debord Retrospective at the Yamagata International Documentary Film Festival46-492009/10/12～

Translated article or paper“Guy Debord and Avant-garde Cinema” (François Albéra) Against Cinema—Guy Debord Retrospective at the Yamagata International Documentary Film Festival, 46-49頁UnrefereedOtherSingle-AuthorRaphael,LAMBERT;Yamagata International Documentary Film Festival2009/10/10～2009/10/12

Papers“Alice Walker’s The Color Purple: Womanist Folk Tale and Capitalist Fairy Tale.” Dialogue 5: Alice Walker’s The Color Purple. Lagrone, Kheven, ed. In refereedAcademic JournalCo-authorRaphael,LAMBERT;Rodopi Press (Amsterdam/New York) 43-572009/2/10～“Alice Walker’s The Color Purple: Womanist Folk Tale and Capitalist Fairy Tale.” Dialogue 5: Alice Walker’s The Color Purple. Lagrone, Kheven, ed. Amsterdam/New York: Rodopi Press, February 2009, 43-57

International academic conference“Re-drawing the Slave Trade: François Bourgeon’s Les passagers du vent,” Interdisciplinary Approaches to Culture and Society: (Not) Checking the Box: Opening Up Spaces through DiscoursesUnrefereedOtherSingle-AuthorRaphael,LAMBERT;2008/12/27～2008/12/30Modern Language AssociationMLA, San Francisco

Guest Reviewer for African American ReviewGuest Reviewer for African American Review. Topic: Richard Wright's Native SonUnrefereedOtherSingle-AuthorRaphael,LAMBERT;2008/11/15～

Academic presentation“Men of the Middle Passage and Middle Passage Men: Transatlantic Slave Trade and Poetic Imagination”UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2008/10/11～2008/10/12

Papers“Negotiating Black Identity: Percival Everett’s Erasure.” In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;The Journal of the American Literature Society of Japan, 732-502008/3/10～

International academic conference“The Strange Career of Tamango: From Prosper Mérimée’s 1829 Novella to Its 1958 Film Adaptation” UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2008/3/6～2008/3/9Society for Cinema and Media Studies ConferenceSCMS Conference, Philadelphia

International academic conference“Adapting the Middle Passage: Médiagénie and Ideology,” Theorizing Adaptation II: Ideology and the Medium, Division on Literature and the Other ArtsUnrefereedOtherSingle-AuthorRaphael,LAMBERT;2007/12/27～2007/12/30Modern Language Association, 123d Annual ConventionMLA, Chicago

Papers“From Page to Screen: a Comparative Study of Richard Wright’s Native Son and Its Two Film Adaptations.” Dialogue 2: Richard Wright’s Native Son. Ana María Fraile, ed. In refereedMonographCo-authorRaphael,LAMBERT;Amsterdam/New York: Rodopi Press187-2022007/10/15～

Co-AdviserFrancis Poulenc autour des poètes surréalistes / Conférence-Concert II. Association des études sur la musique française（筑波市）UnrefereedOtherCo-authorRaphael,LAMBERT;2007/10/13～

Papers“Englishness, Christianity and Mammonism: A Topology of Olaudah Equiano’s Discursive Strategies.” In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;Review of American Literature – Tsukuba American Literary Society, Volume 2070-892007/5/1～

Academic presentation“The Middle-Passage Narrative On Page and On Screen”UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2007/3/24～2007/3/24

International academic conference“Representation of the Middle Passage: Unshowable, Unsayable, and Transcendence” UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2007/3/8～2007/3/11Society for Cinema and Media Studies ConferenceSCMS, Chicago

Academic presentation“Negotiating Black Identity in Ralph Ellison’s Invisible Man and Percival Everett’s Erasure”　Raphael,LAMBERT;2006/5/20～2006/5/20

International academic conference“Alan Parker’s Mississippi Burning and the Stakes of Pop History”UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2006/4/12～2006/4/15PCA/ACA (Popular Culture Association/American Culture Association) National Conference Atlanta, Georgia

Papers“Reopening the Mississippi Burning File: Can Hollywood Teach Us History?” In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;Journal of Black Studies in Japan, # 7537-452006/3/15～

Lecture“How to Analyze Film / A Case Study: Devil in a Blue Dress”（津田塾大学）UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2005/12/13～

Lecture“Zora Neale Hurston’s “Sweat”: Analysis”（津田塾大学）UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2005/10/3～

Academic presentation “The Devil Wears Blue but It’s All in Black and White: Race Relationships in Walter Mosley’s Devil in a Blue Dress and Its Film Adaptation” 　UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2005/6/4～2005/6/4

Papers“Going to Meet the Mind: A Psychoanalytic Reading of James Baldwin’s Going to Meet the Man.” In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;Tsuda Review, No. 491-20 2004/11/10～Tsuda Review, No. 49, Fall 2004,

LectureA Tribute to François Truffaut: Seminar on The Wild Child (1970)　横浜市美術館UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2004/10/22～

Academic presentation“‘Alice in Spielbergland’ and ‘Steven in Walkerland’: Reassessing the Film Adaptation of The Color Purple”UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2004/10/16～2004/10/17

Book reviewBook review: Leaving Disneyland, Alexander Parsons, 2001. UnrefereedAcademic JournalSingle-AuthorRaphael,LAMBERT;The Cream City Review, 28.1155-1572004/3/15～, Spring 2004,

Papers“Oral Communication and Musicality in Ernest J. Gaines’s A Gathering of Old Men.”In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;The Griot, Volume 22: 278-872003/10/10～

Papers“The Construction of the Other and the Self in André Gide’s Travels in the Congo and Frantz Fanon’s Black Skin, White Masks.” In refereedAcademic JournalSingle-AuthorRaphael,LAMBERT;Studies in Twentieth Century Literature, Volume 27: 2253-2722003/8/15～

Book reviewBook review: Stormy Weather: A Charlotte Justice Novel, Paula L. Wood, 2001. UnrefereedAcademic JournalSingle-AuthorRaphael,LAMBERT;The Cream City Review, 26.2172-1732002/9/10～, Fall 2002,

International academic conference“Jean-Luc Godard’s Prénom: Carmen and MTV’s Hip Hopera: Two Conceptions of Carmen” UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2002/5/24～2002/5/26Society for Cinema Studies Annual ConferenceSCMS, Denver, Colorado

Papers“Revisiting the Myth of Carmen: Jean-Luc Godard’s First Name: Carmen.” UnrefereedIn-house publicationSingle-AuthorRaphael,LAMBERT;;Occasional Paper Series: The Center for International Education at University of Wisconsin – Milwaukee2-72002/4/10～

International academic conference“ ‘Bigger Thomas, c’est moi!’ Reflections on Two Film Adaptations of Richard Wright’s Native Son” UnrefereedOtherSingle-AuthorRaphael,LAMBERT;2000/3/30～2000/4/1Midwestern Conference on Film, Language, and LiteratureNorthern Illinois University-De Kalb

International academic conference“From Ernest J. Gaines’s A Gathering of Old Men to Volker Schlöndorff’s Murder on the Bayou: Limits and License of a Film Adaptation” UnrefereedOtherSingle-AuthorRaphael,LAMBERT;1999/9/17～1999/9/18Twenty-Fourth Annual Colloquium on Modern Literature and FilmWest Virginia University-Morgantown

Interview“Interview with African American writer Ernest J. Gaines.” UnrefereedAcademic JournalSingle-AuthorRaphael,LAMBERT;Sources, Vol.255-701997/4/10～, Spring 1997,

Raphael, LAMBERT

Faculty, Department/Institute

Academic status (qualification)

Undergraduate Degrees・University

Graduate Degrees・University

Academic Degrees

Research fields

Research topics

Awards

Academic Associations

Joint Projects/Commissioned Projects

Research Publications

Foreign Languages

Courses Taught